There's good reason for a little elation today as lighting for Freedom episode 4 is finally completed, a total of about 350 shots spread between me and my chief Matsui-san, averaging about 10 cuts per day. Its a big relief there were no Crab Robos ( folks who have been following the series should know these critters, nasty buggers not only in Eden but to us too, for they consist of so many individual moving parts our workstations slow down to a crawl whenever there is one in the scene; imagine having to light a dozen. ) this time round or we would have been dragging polygons through molasses again.

Over dinner with 2 of my colleagues at Sukiya banter turned to the topic of life after Freedom - where each of us are heading or are planning to do and Matsui-san expressed his interest in games design.

"Square Enix huh ?", I suggested, the obvious top candidate to mention.

"Jyoudanjyane ?( which roughly translates as "Are you kidding me ?" ) Advent Children was neat, but what if I get assigned to the fluid simluation detail ? I'll drown before the first week is up." and we had a good laugh.

If I may be allowed to explain his derangement, Matsui-san was just voicing his innate fear of pigeonhole specialization in Square Enix, or actually any other major effects company for that matter, where you can be assigned to a specific task, say, the effect of a drop of water landing on concrete; and drone on that task for eons. The bigger the company, the higher the risk. For the dauntless however, Square runs recruitment ads in CG World every month.

A few updates before I concuss into bed.

I slogged till 3 in the morning finishing up some shots so I can take sunday off ( yes, take SUNDAY OFF ) and amongst other things, rewatch Paprika, undoubtably one of the better anime films of late. Check out that sumptous box set !

Talking about neat dvds everyone in the studio also recieved a limited collector's edition of Freedom 1 yesterday, a little consolation for toiling all nighters for the greater good of Freedom Committee. It's comes with a special gold print cover and is not for sale in stores.



Earlier in the evening Morita-san treated us to a tasty Tonkatsu dinner because the higher powers that be ( namely himself and Matsuo-san, who joined us recently and had worked on Kon Satoshi's Perfect Blue and Millenium Actress ) made a high level decision that demanded, well, the re-rendering of all completed shots hiterto. Yamaura-san, our DOP and compositing chief, was not pleased. I took the opportunity during dinner to quiz Morita-san about certain rumors that have been circulating heavily in the studio, and though not nearly written in stone just as yet, there will be exciting things coming up after the completion of Freedom 6. Morita-san will be attending the launch of Freedom in the States at ANIME EXPO and might make the announcement then.

And lastly, a friend alerted me about this piece of news in the local papers; click on the image to read the whole article.

The 2nd series of magazine ad spreads for the release of Freedom 3, illustrated by Sakiji-san. See the first series here.