The Journey of Man - a 2 part National Geographic documentary tracing the origins and subsequent geographic evolution of man is undoubtably the best documentary I've seen in years. In fact, it even tops my all my favourite documentary series of all times, David Attenborough's The Living Planet. This might be largely attributed to the intrinsic nature of of the subject which so beautifully explains our biological history and inheritance as humans on the whole. Spencer Wells, the geneticist behind the journey gives incisive and lucid explanations of our genetical forefathers and how under extraordinary odds, ventured beyond Africa and evolved into every racial group around the world today. In short, this is the exact story of out past and origin. If you're tuned in to the National Geographic Channel, you can't miss this.
Thursday, January 30, 2003
Wednesday, January 08, 2003
I was perusing through a film magazine the other day when I came across an article on the movie Wings of Desire by Wim Wenders, on which I have watched sometime back last year. I remembered the film as been rather arthouse, abstract in parts and I found it difficult to follow the story. It didn't help that it was shot during the 80s, a period that I always like to label as the "trashy years" with flashy clothes and bloomy, disheveled hairstyles in fashion. Anyway, it was a particular explanation regarding the plotline that caught my attention. In the movie, the scenes often intercut from colour to b&w footages, which I found disconcerting - but it actually had an important reason; for the angels, supernatural beings as they are, only saw the world in b&w; for they only see the truth and the "essence" of things, unhindered by the distractions of colour. Humans however, mortal beings as they are - saw the world in colour, ironically blinded by colours.
I thought that was wonderfully explained and used. It also reminded me why b&w photos are so strong in composition and form - for they too are unhindered by distracting colours, stripped to its simplest form and shape.
Granted that too, Angels must have a really tough job.
I thought that was wonderfully explained and used. It also reminded me why b&w photos are so strong in composition and form - for they too are unhindered by distracting colours, stripped to its simplest form and shape.
Granted that too, Angels must have a really tough job.
Wednesday, January 01, 2003
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