Wednesday, December 13, 2006

Its 6 weeks into work here at Freedom Committee and I continue to be astounded by the animation giants that surround me. ( I am composing this post in a rare studio moment where work stands still for a second while waiting for lighting jobs to come in. ) For starters, my effects chief Yamaura-san, a nice lady who offered us delicious croissants last week, worked on Morimoto's Noiseman Sound Insect, as well as Glay's Survival 2D, a piece very personal to me because I first saw it as an animation student 8 years ago and which had a very big influence on my final year animation project. Then there's Abe-san, the colour designer, who addresses me as kou-chan, worked on Jinroh The Wolf Brigade and Watabe-san, the background artist and mecha designer, whose credits include Ghost in the Shell 1 & 2, Patlabor 2, Nausicaa, and of course, Akira. The list continues. I'm pretty microscopic around here, a tiny microbe stuck on a speck of dust.

Ok, back to work...

Monday, December 11, 2006

Working 12 hour days is becoming the norm as the deadline for Freedom 2 draws closer, and with the animators finishing up their scenes work is piling up as they get passed on to us for lighting and rendering. Just last friday we had first look at the 30 second spot for Freedom 2 that will be up on Japan TV soon, and it feels great to be involved in a project that is always on air, at least for the better part of the next 2 years until Freedom Project concludes with episode 7. Crunch time has barely started.



I've not had any decent chance to watch films the past few months, but with me settling down pretty comfortably at work now I really want to make up for lost time. Its time to get back to the source.