Tuesday, October 21, 2003

Watching 2 ultra violent films back to back was not the easiest way to spend a peaceful, idyllic Sunday, but they were films that I had already planned to watch beforehand. Descriptive words like "empty", "void" and physical, frenzied parodying of the "human blood fountains" were attributed to the movie Kill Bill by one of my friends. ( whose taste in film happens to be slightly different from mine ), However, he remained solemn and relatively quiet after the Japanese film Brother, whose stark and realistic portrayal of bloodied gunfights and Yakuza honour, as well as pathos ending the night with an air of eerie stillness. Violence can see so many different forms.

Thursday, October 16, 2003

First day of work, Wizards of Light. Its a photography studio covering commercial photo work, running the gamut from product to fashion shoots. Today the term desk bound job ceases meaning for me ( yes, I still have a desk, albeit spending less than five minutes at it for the entire day ), with 2 fashion shoots packed back to back, in between buying Milo "bing" and Marlboro Menthol Light for my lead photographer and the clients, I must say its quite a change for a job.

Not that I'm complaining though, learned quite a few things today, tons more to pickup, but we'll see if this photographic passion of mine will stand the test of time.

Monday, October 06, 2003

Watching Len Wiseman's UnderWorld, then Yoji Yamada's Twilight Samurai in one evening was a jarring, cinematic dichotomic trip. These are the last 2 films that anyone should be comparing by virtue of their vastly different, intrinsic genres but it was interesting to note.

1) UnderWorld is Len Wiseman's directorial debut, uninspiring start; Twilight Samurai auteur filmmaker Yoji Yamada's no 77th ( I'm not sure if I've even watched 77 Japanese films hitherto ) film, a masterful piece.

2) Where the latter was a film graced by its use of quiet, cinematic sublety ( in a scene where a simple holding of hands was sufficent to create an intense carthasis and emotional emancipation ), the former is sucked void of any, ( a supposed romantic kiss exchanged between the 2 protaganists had about the same blandness if one were swallowing chalk. )

In this respect as least, less is certainly more. Glad I watched it in the right order, or it would've been a bad evening all the way.