( Note however, this trilogy's narrative treatment is everything an archetypal Hollywood outing is not, so some may find it completely senseless and boring. )
Wednesday, January 05, 2005
It will no doubt take several more repeat viewings to even barely grasp and appreciate the full masterly range of Krzysztof Kieslowski trilogy Trois Couleurs ( Three Colours : Blue, White and Red ), but Rouge ( Red ) immediately springs up as my favourite of the three. Maybe because it was the easiest to comprehend and relate to, but simply put Red is so richly imbued in a mix of fantastic visual and narrative symbolism, utilizing austere but stunning photography to enhance the intensity of every scene the experience of viewing leaves one breathless; I can only imagine the impact it would have had viewed in a theatre. Sadly the depth and meaning of the trilogy is way beyond what my inept writing can express, but you've been so informed.
( Note however, this trilogy's narrative treatment is everything an archetypal Hollywood outing is not, so some may find it completely senseless and boring. )
( Note however, this trilogy's narrative treatment is everything an archetypal Hollywood outing is not, so some may find it completely senseless and boring. )
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