Sunday, April 14, 2002

The movie No Man's Land was a smorgasbord of various debatable issues and human emotions. At the height of the Bosnian war, Ciki, a Bosnian soldier, hides in a trench in No Man�s Land. Nino, a Serb, is wounded in the same trench, while Cera, a Bosnian soldier, lies unconscious on a spring mine. Both men attract the attention of their respective sides in an attempt to survive their predicament. Soon, the UN troops are called in... This movie is about the casualties of war, for right from the start of the show displays a massacre of troops as they battle at the bloody frontline. This movie is about satire, mocking the stiff and dogmatic bureaucracy of the UN as they stood and gaze in brazen shame as the wounded lay unaided. This movie is about deep poignancy, for as the last shot in the movie slowly tracks out you feel the disconcerting solitude and despair of the wounded as he lies helpless, bereft of any aid. To have envisioned all this ideas and presented them in such a witty, humourous and yet sad movie, I for once agree with the Oscar nomination panel that it truely deserves the award of best foreign film.

( apologies for those who haven't watched the film ) My favourite shot in the film must be where the Serbian commander decided that to "play safe", had the entire trench area bombarded by artillery and at this juncture, the two wounded soldiers taking cover in a shelter. The framing was such that each of them were leaning on either side of the entrance of the shelter and henced divided on the left and right of the screen, with the entrance in the middle of the shot and artillery bombing away ouside as they argued on the fault of the party who started the war first. I personally interpretated the framing of the shot with them been divided in the middle as the separation of the Serb and Bosnian people as war wages outside ( the artillery bombing ). Within, the conflict can only be solved by whoever possessing the weapon, as in the case of the Serbian soldier. Cool art direction and photography.

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